But for a while, starting a few weeks before Open Studio Hartford, which occurred this year on November 13 and 14, everything was everywhere.
My work table was a mess.
The kitchen table had a small area reserved for eating; otherwise it was another work space.
I made a lot of felted beads. They turned out to be the big seller. I'm so new at making beads that I came up with a response to an emergency customer scenario: If the beads broke and fell all over the floor as the customer tried them on, I would offer a discount. Such a deal!
Blessing in disguise: the making of felted beads offered some satisfaction in the days after the election. Numb with shock but mostly fear, I found relief in being able to stab the beads with a sharp barbed needle.
On the day appointed for setup of my corner of Open Studio Hartford, at the Connecticut Historical Society, 1 Elizabeth St., on the leafy western edge of the city (https://chs.org/).
I was unable to set it up because, at the same time, I was teaching felting at the New Britain Museum of American Art in New Britain, CT. http://www.nbmaa.org/
Can you believe the Museum made me Artist in Residence for the month of November for their Studio @ 4 youth classes? http://www.nbmaa.org/event/lambswool-landscapes-with-diane-cadrain.
So there I was teaching...
...while Joe was setting up my booth at the Historical Society. What a guy! He was as good at putting together my panels as he was at setting up a Square device for payment. I love him for all he does for me.
My table turned out to be strategically located directly across from a rather impressive array of refreshments.
On one end of the table, I invited visitors to try the feel of felting.
I made a lot of felted beads. They turned out to be the big seller. I'm so new at making beads that I came up with a response to an emergency customer scenario: If the beads broke and fell all over the floor as the customer tried them on, I would offer a discount. Such a deal!
Blessing in disguise: the making of felted beads offered some satisfaction in the days after the election. Numb with shock but mostly fear, I found relief in being able to stab the beads with a sharp barbed needle.
On the day appointed for setup of my corner of Open Studio Hartford, at the Connecticut Historical Society, 1 Elizabeth St., on the leafy western edge of the city (https://chs.org/).
I was unable to set it up because, at the same time, I was teaching felting at the New Britain Museum of American Art in New Britain, CT. http://www.nbmaa.org/
Can you believe the Museum made me Artist in Residence for the month of November for their Studio @ 4 youth classes? http://www.nbmaa.org/event/lambswool-landscapes-with-diane-cadrain.
So there I was teaching...
...while Joe was setting up my booth at the Historical Society. What a guy! He was as good at putting together my panels as he was at setting up a Square device for payment. I love him for all he does for me.
My table turned out to be strategically located directly across from a rather impressive array of refreshments.
On one end of the table, I invited visitors to try the feel of felting.
In fact, so many people were interested in the process of felting that 17 of them signed a list stating that they would be interested if I were ever to teach The Felted Landscape again at West Hartford Art League. I've since spoken with folks at the Art League, and that class will be offered as a one-day workshop on Sunday, February 5, from 10 am to 4 pm. Check it out! https://static1.squarespace.com/static/50cf6ceae4b0a7200de61a14/t/5835d61129687ff9ece46932/1479923219650/Winter+Workshops_2017.pdf
Here's my latest felted piece, which will give you an idea of the size of the pieces that students in that class will make:
Back at Open Studio: At 5 pm on Sunday, November 14, it was time to take it all down.
I sold some art, I sold some beads, I attracted interest in teaching another class at the West Hartford Art League, and I made some contacts that may turn out to be valuable.
Not too shabby, I suppose.
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